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Classics Explained: Ravel - Bolero and Ma Mere L'Oye (Smillie)
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Jeremy Siepmann
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- CD1
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- 01
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Bolero-Introduction; cue to unadorned Bolero rhythm, Pt. 1
- Jeremy Siepmann
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- 02
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Bolero rhythm, Pt. 2: An extended variation of Pt. 1
- Jeremy Siepmann
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- 03
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ' Motto ' rhythm complete
- Jeremy Siepmann
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- 04
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: But here we have snare drums and plucked violas and cellos
- Jeremy Siepmann
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- 05
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 1: Introduction of ' the theme 'by solo flute
- Jeremy Siepmann
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- 06
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Flute continues with Pt. 2 of theme
- Jeremy Siepmann
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- 07
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 2: Complete statement of theme by clarinet as flute joins ' motto ' group
- Jeremy Siepmann
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- 08
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Introduction of ' discordant ' harp into the unfolding picture
- Jeremy Siepmann
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- 09
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 3: Bassoon introduces closely related variant of theme
- Jeremy Siepmann
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- 10
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ...But then veers upwards, slowing rhythm and introducing new syncopation
- Jeremy Siepmann
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- 11
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 4: ' Petite ' e flat clainet takes over theme, including variants
- Jeremy Siepmann
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- 12
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 5: Oboe d'amore takes over theme but returns to its original form
- Jeremy Siepmann
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- 13
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 6: Theme now shared by two instruments: Uted trumpet and flute
- Jeremy Siepmann
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- 14
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 7: Tenor saxophone takes Theme as trumpet replaces horn in ' motto '
- Jeremy Siepmann
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- 15
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 8: Theme taken by soprano saxphone, ' espressivo '
- Jeremy Siepmann
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- 16
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 9: Theme. Celeste, piccolos and horn; Motto: Flute and French horn
- Jeremy Siepmann
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- 17
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 10: Theme. Oboes, horns, clarinets; Motto: Plucked violas and violins
- Jeremy Siepmann
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- 18
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 11: Theme taken by First Trombone, complete with jazzy slides
- Jeremy Siepmann
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- 19
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 12: Theme. Flutes, oboes, clarinets, sax; Motto: Bassoons, horns, trumpets
- Jeremy Siepmann
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- 20
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 13: Violins at last take the main tune, joining massed winds
- Jeremy Siepmann
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- 21
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 14: Violins divide into four groups, each ' double-stopping '
- Jeremy Siepmann
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- 22
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 15: Trumpet, trombone 2 and tuba join the foreground
- Jeremy Siepmann
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- 23
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 16: First trombone and soprano saxophone ' rejoin ' theme
- Jeremy Siepmann
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- 24
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 17: Fortissimo; all strings ' double-stopping '; trumpets added
- Jeremy Siepmann
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- 25
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 18: Entire orchestra now employed, ' as loudly as possible '
- Jeremy Siepmann
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- 26
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 19: Sudden, amazing change of key, lurching from C to E Major
- Jeremy Siepmann
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- 27
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 20: Key now lurches back to C, as jazzy trombones whiningly protest
- Jeremy Siepmann
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- 28
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Cue to complete performance
- Jeremy Siepmann
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- 29
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Bolero (complete)
- Jeremy Siepmann
- CD2
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- 01
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Pavane de la Belle au bois dormant-Opening figure on flute; rising, falling, and then reeated
- Jeremy Siepmann
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- 02
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Same again, with emphasis on delicacy of scoring
- Jeremy Siepmann
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- 03
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Answering variant, accompanied by plucked double basses
- Jeremy Siepmann
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- 04
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Reminder of opening figure
- Jeremy Siepmann
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- 05
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ... And now its rhythmical mirror image, or almost...
- Jeremy Siepmann
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- 06
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Answering Phrase 2: A near-inversion, over ' James Bond ' accompaniment
- Jeremy Siepmann
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- 07
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Pivotal Phrase 3, reversing direction but keeping rhythm of Phrase 2
- Jeremy Siepmann
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- 08
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Reprise of Phrases 1 and 2, but with new accompaniment
- Jeremy Siepmann
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- 09
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Further Reprise of Phrase 2, now on violin, accompanied by harp
- Jeremy Siepmann
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- 10
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Pavane (complete)
- Jeremy Siepmann
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- 11
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Petit Poucet (Tom Thumb)-Introduction; Opening, with multi-metre rising scales from muted violins
- Jeremy Siepmann
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- 12
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Change of metre continue as solo oboe introduces Theme One
- Jeremy Siepmann
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- 13
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Oboe yields to Cor Anglais for Theme Two, against lower (still muted) strings
- Jeremy Siepmann
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- 14
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Theme One returns, shared by clarinet and flute, muted horn added to accompaniment
- Jeremy Siepmann
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- 15
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: 'Motto' rhythm dominates as intensity increases from lower strings to full orchestra
- Jeremy Siepmann
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- 16
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Fear subsides as Theme Two returns, again in Cor Anglais but now in a different key
- Jeremy Siepmann
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- 17
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Sensational sound effects evoke a wood at night, with screeches, cuckooing etc.
- Jeremy Siepmann
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- 18
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Texture thins; Theme one returns, delicately scored for strings and piccolo
- Jeremy Siepmann
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- 19
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The main part of movement ends, with waltz-like march(!), featuring flute
- Jeremy Siepmann
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- 20
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Petit Poucet (complete)
- Jeremy Siepmann
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- 21
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Laideronnette, Imperatrice des Pagodes-Introduction; opening bars, followed by Theme One
- Jeremy Siepmann
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- 22
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Oriental-orchestral equivalent of an imprial telephone bell
- Jeremy Siepmann
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- 23
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ... Oboe ' answers ' with a very slightly varied version of Theme One
- Jeremy Siepmann
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- 24
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Expanded derivative of the ' telephone bell ' interrupts the theme again
- Jeremy Siepmann
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- 25
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Fragments of theme in flutes and cor anglais, with ' James Bond ' tag in violins
- Jeremy Siepmann
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- 26
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: 'Gamelan ' music from flute and piccolo, accompanied by harp, xylophone and strings
- Jeremy Siepmann
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- 27
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Arrival of Empress; upper strings yield to winds, celeste, harp and (very discreet) gong
- Jeremy Siepmann
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- 28
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Laideronnette, Imperatrice des Pagodes (complete)
- Jeremy Siepmann
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- 29
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Les entretiens de la Belle et de la Bete- opening
- Jeremy Siepmann
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- 30
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Characteristic pattern of two short phrases answered by a long one
- Jeremy Siepmann
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- 31
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Clarinet, flutes and violas, with ' sighing' figure derived from downward string motif
- Jeremy Siepmann
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- 32
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Varied reprise of opening, entry of the ' Beast '; ' Watch It ! Watch It ! '
- Jeremy Siepmann
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- 33
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Again the ' Beast ' growls; again the cautious warning ' Watch It ! ' from the winds
- Jeremy Siepmann
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- 34
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Derivative of Beauty's Theme from flute, combined with ' caution motif ' in strings
- Jeremy Siepmann
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- 35
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ' Beast's theme ' rises in pitch with each successive ' gowl ' (representing hope?)
- Jeremy Siepmann
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- 36
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ' Beauty ', ' Beast ' and ' Caution ' motifs all combine simultaneously
- Jeremy Siepmann
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- 37
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ' Beast ' (contra-bassoon) climbs ever higher, handing over to bassoon proper
- Jeremy Siepmann
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- 38
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Harp's upward glide heralds the moment of transformation; love song, fear, release
- Jeremy Siepmann
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- 39
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Les entretiens de la Belle et de la Bete (complete)
- Jeremy Siepmann
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- 40
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Le jardin feerique-Introduction; Opening bars Are unfuuuuuuuuurled by the strings alone
- Jeremy Siepmann
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- 41
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The rhythmic basis, and its guises. First, a question: ' Where went my childhood?'
- Jeremy Siepmann
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- 42
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The question intensified:' Oh where went ... My childhood?'
- Jeremy Siepmann
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- 43
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The answer, with a falling inflection: ' Gone Is your childhood.'
- Jeremy Siepmann
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- 44
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The plea: ' Bring back my childhood!'
- Jeremy Siepmann
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- 45
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The response: ' Seek in ... Your mem'ry. There It ... Will be.'
- Jeremy Siepmann
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- 46
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Ravel's use of tone colour to change the feeling of the music
- Jeremy Siepmann
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- 47
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Further illustration of the same point
- Jeremy Siepmann
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- 48
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Continued
- Jeremy Siepmann
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- 49
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The nobility of the strings
- Jeremy Siepmann
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- 50
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Bells evoked by French horns; the final, opulent, moving climax of the whole suite
- Jeremy Siepmann
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- 51
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An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Le jardin feerique (complete)
- Jeremy Siepmann
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