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Classics Explained: Brahms - Piano Concerto No. 2
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Jeremy Siepmann
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- CD1
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- 01
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An Introduction to … BRAHMS: Introduction; opening horn call and piano's answer
- Jeremy Siepmann
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- 02
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An Introduction to … BRAHMS: Rising three-note scalewise pattern
- Jeremy Siepmann
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- 03
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An Introduction to … BRAHMS: Quicker, descending six-note 'answer'
- Jeremy Siepmann
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- 04
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An Introduction to … BRAHMS: Second, answering phrase
- Jeremy Siepmann
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- 05
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An Introduction to … BRAHMS: First Main Theme completed by orchestra
- Jeremy Siepmann
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- 06
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An Introduction to … BRAHMS: Peace shattered as piano bursts back in like a tiger
- Jeremy Siepmann
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- 07
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An Introduction to … BRAHMS: Variant of opening horn call in bass
- Jeremy Siepmann
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- 08
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An Introduction to … BRAHMS: Orchestra returns; beginning of Exposition proper
- Jeremy Siepmann
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- 09
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An Introduction to … BRAHMS: Big, 'singing' theme in orchestra; piano 'forgotten'
- Jeremy Siepmann
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- 10
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An Introduction to … BRAHMS: Call to arms by strings; marshalling of orchestral forces
- Jeremy Siepmann
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- 11
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An Introduction to … BRAHMS: Piano re-enters fry with massive expansion of opening figure
- Jeremy Siepmann
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- 12
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An Introduction to … BRAHMS: Piano 'explores' two main facets of opening theme
- Jeremy Siepmann
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- 13
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An Introduction to … BRAHMS: Transition. Sense of key weakened. Piano and orchestra come together
- Jeremy Siepmann
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- 14
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An Introduction to … BRAHMS: Piano and orchestra 'argue' over speed of thematic three-note rise
- Jeremy Siepmann
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- 15
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An Introduction to … BRAHMS: Piano and orchestra in friendly dialogue before piano falls away
- Jeremy Siepmann
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- 16
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An Introduction to … BRAHMS: 'Winged' harmonic shadow of pure pianistic tone-colour
- Jeremy Siepmann
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- 17
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An Introduction to … BRAHMS: New 'transitional' theme from orchestra developed by piano
- Jeremy Siepmann
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- 18
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An Introduction to … BRAHMS: After indecision and discussion, the mood suddenly turns playful
- Jeremy Siepmann
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- 19
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An Introduction to … BRAHMS: Reminder of Second Main Theme in its original form
- Jeremy Siepmann
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- 20
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An Introduction to … BRAHMS: Ttransfomation of Second Main Theme by piano
- Jeremy Siepmann
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- 21
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An Introduction to … BRAHMS: Piano hijacks orchestra's 'call to arms'
- Jeremy Siepmann
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- 22
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An Introduction to … BRAHMS: Piano and orchestra, now allies, explore theme, but with piano leading
- Jeremy Siepmann
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- 23
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An Introduction to … BRAHMS: Dramatic eruption of orchestra leads to the Development section
- Jeremy Siepmann
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- 24
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An Introduction to … BRAHMS: Pianistic 'tiger' replaced by gentle reflective, soft-spoken poet
- Jeremy Siepmann
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- 25
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An Introduction to … BRAHMS: Transformed 'tiger' theme amicably shared by piano and orchestra
- Jeremy Siepmann
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- 26
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An Introduction to … BRAHMS: An apparently new theme - But Battlle Hymn of the Republic?
- Jeremy Siepmann
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- 27
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An Introduction to … BRAHMS: Brief, downward-driving section prepares for the Recapitulation
- Jeremy Siepmann
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- 28
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An Introduction to … BRAHMS: On the threshold of the Recapitulation
- Jeremy Siepmann
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- 29
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An Introduction to … BRAHMS: Recapitulation: The Magical Return
- Jeremy Siepmann
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- 30
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An Introduction to … BRAHMS: From Gate-crashing Tiger to Celestial Tenderness - And a surprise
- Jeremy Siepmann
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- 31
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An Introduction to … BRAHMS: And unexpected and portentus change of mood, suggesting tragedy
- Jeremy Siepmann
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- 32
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An Introduction to … BRAHMS: Summation
- Jeremy Siepmann
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- 33
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An Introduction to … BRAHMS: First Movement (Complete)
- Jeremy Siepmann
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- 34
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An Introduction to … BRAHMS: Second Movement: The upward-driving opening gambit, piano alone
- Jeremy Siepmann
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- 35
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An Introduction to … BRAHMS: Downward-driving answer from lower strings
- Jeremy Siepmann
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- 36
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An Introduction to … BRAHMS: Theme vs Melody
- Jeremy Siepmann
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- 37
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An Introduction to … BRAHMS: Eerie, unharmonised, 'white' sound of Second Theme
- Jeremy Siepmann
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- 38
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An Introduction to … BRAHMS: Second Theme taken up and developed by piano
- Jeremy Siepmann
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- 39
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An Introduction to … BRAHMS: Expectation and surprise; harmonic fluidity and intensifying drama
- Jeremy Siepmann
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- 40
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An Introduction to … BRAHMS: Return (and transformation) of Theme Two
- Jeremy Siepmann
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- 41
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An Introduction to … BRAHMS: Theme One returns in orchestra; Theme Three emerges in major mode
- Jeremy Siepmann
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- 42
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An Introduction to … BRAHMS: Sequence of fragmentary episodes begins with unexpected fanfare
- Jeremy Siepmann
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- 43
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An Introduction to … BRAHMS: Variant of Theme Three in piano
- Jeremy Siepmann
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- 44
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An Introduction to … BRAHMS: Rescored variant of 'fanfare' theme; from grandeur to solemnity
- Jeremy Siepmann
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- 45
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An Introduction to … BRAHMS: Rhapsodic variant of fanfare, This time for piano alone
- Jeremy Siepmann
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- 46
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An Introduction to … BRAHMS: Recapitulation of opening, with piano and orchestra reversing roles
- Jeremy Siepmann
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- 47
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An Introduction to … BRAHMS: Theme Two transformed by new instrumentation
- Jeremy Siepmann
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- 48
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An Introduction to … BRAHMS: Cue and Second Movement (Complete)
- Jeremy Siepmann
- CD2
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- 01
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An Introduction to … BRAHMS: Introduction, cue and First Main Theme
- Jeremy Siepmann
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- 02
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An Introduction to … BRAHMS: Theme One taken up by strings and solo oboe; piano's entry
- Jeremy Siepmann
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- 03
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An Introduction to … BRAHMS: Complex variant of Theme One with very different speed and rhythm
- Jeremy Siepmann
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- 04
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An Introduction to … BRAHMS: Orchestra and piano in mixed variants of Theme One, now intensified
- Jeremy Siepmann
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- 05
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An Introduction to … BRAHMS: Theme Two, hushed and 'tuneless', with piano, clarinets and strings
- Jeremy Siepmann
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- 06
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An Introduction to … BRAHMS: Oboe Theme returns, now delicately embroidered by the piano
- Jeremy Siepmann
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- 07
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An Introduction to … BRAHMS: Cue and Third Movement (Complete)
- Jeremy Siepmann
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- 08
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An Introduction to … BRAHMS: Finale. Introduction, cue and Main Theme
- Jeremy Siepmann
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- 09
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An Introduction to … BRAHMS: Violins take up tune, with winds and piano accompanying
- Jeremy Siepmann
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- 10
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An Introduction to … BRAHMS: Piano introduces Pt. 2 of the main theme
- Jeremy Siepmann
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- 11
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An Introduction to … BRAHMS: Pt. 3 of the theme, led by piano, in 'fiercely' self-confident mood
- Jeremy Siepmann
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- 12
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An Introduction to … BRAHMS: First Episode, Pt. 1
- Jeremy Siepmann
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- 13
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An Introduction to … BRAHMS: First Episode, Pt. 2
- Jeremy Siepmann
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- 14
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An Introduction to … BRAHMS: Piano hands theme over to clarinets and bassoons
- Jeremy Siepmann
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- 15
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An Introduction to … BRAHMS: First Episode, Pt. 3, in piano, first; then flutes and oboes
- Jeremy Siepmann
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- 16
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An Introduction to … BRAHMS: Strings and flutes take theme, with bubbling commentary from piano
- Jeremy Siepmann
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- 17
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An Introduction to … BRAHMS: Tipsy dancers (piano and winds) return, tiring; strings take over
- Jeremy Siepmann
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- 18
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An Introduction to … BRAHMS: In the central Episode, the orchestra throws down a dramatic challenge
- Jeremy Siepmann
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- 19
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An Introduction to … BRAHMS: ... To which the piano duly responds with a stormy outburst
- Jeremy Siepmann
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- 20
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An Introduction to … BRAHMS: Piano kick-starts run-up to final section in a variant of the main theme
- Jeremy Siepmann
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- 21
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An Introduction to … BRAHMS: Orchestra sets off on jaunty march, later joined by the piano
- Jeremy Siepmann
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- 22
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An Introduction to … BRAHMS: Piano propels orchestra into final section
- Jeremy Siepmann
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- 23
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An Introduction to … BRAHMS: Summation and cue to the movement as a whole
- Jeremy Siepmann
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- 24
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An Introduction to … BRAHMS: Finale (Complete)
- Jeremy Siepmann
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