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Classics Explained: Dvorak - Symphony No. 9, 'From the New World': Jeremy Siepmann; 앱에서 듣기

CD1
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A quiet beginning: Sorrow, syncopation, and sequence

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Instrumental colour as a prime element: Clarinets and bassoons, an outburst by the French horn

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The opening tune again, with different instrumental colouring: Now flutes and oboes

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The first big surprise: Strings, shattering drumbeats, shrieks from flutes, oboes, and clarinets

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Cellos and basses take us into a new key while flutes and oboes dance in syncopation.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Horns, violas, and cellos introduce a new idea, soon to evolve into the main theme.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A tiny detail from the opening culminates in a wild drumming That heralds A Major event

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Introduction complete

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A solo horn introduces the main theme, perkily answered by bassoons and horns.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The theme moves to G Major; answering phrase from flutes, oboes, bassoons.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Long crescendo, tremolo strings, back to tonic and biggest statement yet of the main theme.

Jeremy Siepmann,Slovak Philharmonic Orchestra
12

An Introduction to … DVORAK Symphony No. 9, "from the New World": Transition to the secondary theme through the use of sequence. Sonata form; satability and flux

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Three-bar groupings and again the use of sequence, spelling out a chord

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The sequence continues to rise, and the four-bar phrase returns as the standard unit.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The first violins start off the next phrase, but the melodic shape Is more compact.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The violins fall silent; the violas and cellos answer with a new figure

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": So now we have a two-bar group, made up of statement and answer.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The same thing again (though not quite the same)

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Transition complete. The secondary theme arrives, with French horns as 'bagpipes'.

Jeremy Siepmann,Slovak Philharmonic Orchestra
20

An Introduction to … DVORAK Symphony No. 9, "from the New World": The 'bagpipe drone' Is taken over by cellos, with their insistently repeated G and D.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The tune Is taken up by cellos and double-basses, 'shadowed' by the second violins.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The violins continue a pattern of steady pairs, and the cellos and basses introduce a new idea.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Unexpectedly, we find ourselves back with the secondary theme. A new idea emerges.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Again we hear the shortened version of the secondary theme

Jeremy Siepmann,Slovak Philharmonic Orchestra
25

An Introduction to … DVORAK Symphony No. 9, "from the New World": The suspense Is heightened as everything slows down

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": This beautiful flute tune Is said to resemble 'Swing Low, Sweet Chariot'.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A big crescendo leads to a final statement of the closing theme

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The development section begins with a conversation between cellos, double-bases, and violins.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The beginning of the closing theme Is taken up in turn by the horn, piccolo, and trumpet.

Jeremy Siepmann,Slovak Philharmonic Orchestra
30

An Introduction to … DVORAK Symphony No. 9, "from the New World": Sequential chirping from the oboes based on the 'answering' part of the main theme, now in thE Major

Jeremy Siepmann,Slovak Philharmonic Orchestra
31

An Introduction to … DVORAK Symphony No. 9, "from the New World": Much of the development comes from a diminution of the closing theme from the exposition.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A tiny detail becomes A Major ingredient, giving an agitated quality to an originally sunny tune.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Through a sequence of keys so quickly That It Is hard to keep track of them

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The main theme from massed cellos and double-basses, topped by two trumpets over tremolo violas

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": After That major climax, we arrive at the threshold of the recapitulation

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Dvorak flouts tradition by setting the secondary theme and the closing theme in unexpected keys.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The tumultuous convulsion of the coda brings the first movement to its epic close.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Humpty Dumpty: Putting the bits back together again

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": First movement (complete)

Jeremy Siepmann,Slovak Philharmonic Orchestra
40

An Introduction to … DVORAK Symphony No. 9, "from the New World": The very opening chords unmistakably herald the arrival of something special.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The role of instrumentation in setting the scene...

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": ...And in enhancing the quality of one of the most famous tunes in symphonic history.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The cor anglais Is joined by the clarinet, creating a fascinating change in the timbre.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": For the closing part of the tune, there Is another new sonority: Cor anglais plus bassoon.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The closing bar Is repeated by clarinets and bassoons, the horn adding a new touch

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Back to the start to hear the whole of the story so far, This time without commentary

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A change of scoring: The slow opening chords return, This time played by the winds alone.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The changes in scoring Are just beginning.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The flutes and oboes introduce a new tune, over hushed tremolo strings.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A memorable combination of continuous, asymmetrical melody with steady, march-like counterpoint.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Back in That woodland glade, the light and shadows have changed, revealing new shapes and patterns.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The next section Is new and forward-looking, yet also a kind of dream-recollection of a past scene.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": An abrupt change of mood, much discussion and embellishment, and a hushed note of expectancy

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Subjectivity and expertise; Sourek and Tovey disagree; onwards, into the final section

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Cue to whole movement

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Second movement (complete)

Jeremy Siepmann,Slovak Philharmonic Orchestra
CD2
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Dvorak, Beethoven, and the Scherzo. Dvorak purposely confuses the listener's expectations.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Using a little fanfare, Dvorak further builds up expectation before revealing the main theme.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": When the theme Is revealed, we find That It Is not exactly a tune.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Two little bursts of rhythm provide the seeds from which much of the movement grows.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": It Is the second half of the theme That dominates.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Back to the beginning to hear the whole of This opening section

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Without ever being remotely 'academic' or 'intellectual', there Is much counterpoint going on here.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Dvorak's very Czech love of combining conflicting rhythms, sometimes metres

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A clearly transitional passage, obsessed with the rhythmic tag That both opens and closes the theme

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Sooner Than we may have expected, we seem to have arrived at the Trio section.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A new kind of tone quality sheds a subtly different light on the theme.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The flutes and oboes now chime in with an answering variant of the opening...

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": ...And the cellos and bassoons take up the original version of the theme.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A false alarm: It was not the traditional Trio section at all, but rather part 2 of Scherzo proper

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Soon, after a very rapid build, the Scherzo proper does reach its final phase.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The orchestral texture thins dramatically, and we approach what This time really Is the Trio section.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The Trio section Is reminiscent more of the 'Old World' Than the 'New'.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": In the second half of the Trio, a new tune emerges, a kind of Slavonic waltz.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The main theme of the Trio returns against a much fuller orchestral background.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Then It Is all a matter of repeats, until we reach the coda, which ends with an explosive bang.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Third movement (complete)

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Like the first movement, the fourth begins not with its main theme but with an introduction.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The main theme: An imposing march, introduced by trumpets and trombones, with timpani

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The main theme, part two. A codetta-like passage closes off the march

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The 'transitional' theme, while outwardly contrasting, Is actually a hidden variant of the march.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": A point of future obsession

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The second half of This 'transitional' theme Is given to the winds the strings have finished.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The 'obsession' takes root, with a ten-fold repetition, before the arrival of the second subject.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The hidden traps in sonata-form terminology: 'second main theme' vx. 'second subject'

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The unexpected entry and subsequent ubiquity of 'Three Blind Mice'

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": We meet the mice again, now in the cellos and double-basses, where they persistently refuse to run.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": More 'Three Blind Mice' material

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The mice return to the basement, where the bassoons have joined the cellos and double-basses.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Next, they Are back with the clarinets who pass them back to the cellos

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Now they return to the high winds, delicately trilling.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Relief, at last: The mice back off, making way for a remainder of the main theme from the trumpets.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The mice yield to woodpeckers; the main theme Is now doubled in speed

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The triplets of the 'transitional' theme Are now handed down through strings

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Reminders of past movements begin to fly by, thick and fast, sometimes very fast.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": In fact there Are three bits of quotation going on here simultaneously.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The violas react every time the 'Goin' Home' theme Is quoted by the winds.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The rhythm of the opening of the 'Goin' Home' theme dominates, transformed by trumpets

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The march theme reappears as a Mendelssohnian fairy; the main theme from the 1st mov. Now returns.

Jeremy Siepmann,Slovak Philharmonic Orchestra
44

An Introduction to … DVORAK Symphony No. 9, "from the New World": We reach an interesting point: Have we heard the beginning of the recapitulation, or not?

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Perhaps This Is It? Back for a reminder of the theme proper, as we first heard It

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Tovey places the start of the recapitulation here.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The main theme recast in pathetic rather Than heroic terms - And with magical scoring

Jeremy Siepmann,Slovak Philharmonic Orchestra
48

An Introduction to … DVORAK Symphony No. 9, "from the New World": This unexpected crisis in confidence plays A Major role in the overall dramatic impact of the mov.

Jeremy Siepmann,Slovak Philharmonic Orchestra
49

An Introduction to … DVORAK Symphony No. 9, "from the New World": The main theme returns - Not complete, but chopped up into shorter and shorter fragments.

Jeremy Siepmann,Slovak Philharmonic Orchestra
50

An Introduction to … DVORAK Symphony No. 9, "from the New World": A glorious thematic stew; high drama, a powerful build-up... But then?

Jeremy Siepmann,Slovak Philharmonic Orchestra
51

An Introduction to … DVORAK Symphony No. 9, "from the New World": The dramatic highpoint of the mov., an astonishing transformation, but first, back to the original

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": The same chords again, This time blasted out by the entire wind and brass sections

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Now we Are into the finishing stretch, but the surprises continue to the very end of the very end.

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Summary, context, and cue into the whole movement

Jeremy Siepmann,Slovak Philharmonic Orchestra
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An Introduction to … DVORAK Symphony No. 9, "from the New World": Fourth movement (complete)

Jeremy Siepmann,Slovak Philharmonic Orchestra

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