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Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann): Jeremy Siepmann; 앱에서 듣기

CD1
01

Brandenburg Concerto No. 4 in G: The Brandenburgs as concerti grossi

Jeremy Siepmann
02

Brandenburg Concerto No. 4 in G - First Movement: Introduction. Melody, Theme and Motif; Bach's opening gambit

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Onwards and upwards: Motif No. 2 and its function

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: The two elements of Motif No. 2 and the effect of their combination

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: The 'motto' rhythm hidden even within the opening bar

Jeremy Siepmann
06

Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3, Introduced by the two recorders, has a kind of 'hovering' character

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 repeated for a second, 'directed' listen

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Bach reminds us of the opening

Jeremy Siepmann
09

Brandenburg Concerto No. 4 in G - First Movement: Motif No. 4 - A steadily rising derivative of Motif No. 1

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Motif No. 5, A lovely, bouncy, syncopated flourish, in which all the instruments join

Jeremy Siepmann
11

Brandenburg Concerto No. 4 in G - First Movement: Opening Ritornello (complete)

Jeremy Siepmann
12

Brandenburg Concerto No. 4 in G - First Movement: Episode 1 begins with virtuoso entry of the solo violin, made up of alternating arpeggios

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 returns, courtesy of the recorders, recently sidelined by the violin

Jeremy Siepmann
14

Brandenburg Concerto No. 4 in G - First Movement: Ritornello 2, a varied repeat of Ritornello 1, arrives after much harmonic movement

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Episode 2, Pt. 1, preceded by the 'fanfare' motif from which its first theme derives

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Episode 2 continued, with more bravura dazzle from the solo violin

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Repeat of section for purposes of hearing the harmonic movement

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Ritornello 3, with the prominent participation of the soloists

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Episode 3 proves retrospective, featuring transposed repeats of earlier material

Jeremy Siepmann
20

Brandenburg Concerto No. 4 in G - First Movement: Ritornello 4, not altogether what It might seem; solo violin takes 'motto' motif

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Episode 4. Cue to Pt. 1, focusing on 'soloistic' counterpoint provided by the continuo

Jeremy Siepmann
22

Brandenburg Concerto No. 4 in G - First Movement: Return to Ritornello 4 to hear sources of Episode 4, Pt. 2

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Episode 4 continued, with emphasis placed on conversational interchanges

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Return to opening Ritornello in order to enhance awareness of the contrast

Jeremy Siepmann
25

Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5, beginning

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5 continued, with emphasis on the determined banishment of B Minor

Jeremy Siepmann
27

Brandenburg Concerto No. 4 in G - First Movement: Cue to complete performance of First Movement

Jeremy Siepmann
28

Brandenburg Concerto No. 4 in G - First Movement: First Movement (complete)

Jeremy Siepmann
29

Brandenburg Concerto No. 4 in G - Second Movement: Introduction. Rhythmic Motif provides basis for whole movement

Jeremy Siepmann
30

Brandenburg Concerto No. 4 in G - Second Movement: The melody not much to write home about; nor Is the meek 'answer' offered by the soloists

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Second Movement: Putting the two together, thereby establishing a relationship

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Second Movement: Contrast and syncopation - Their relationship in opening section

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Second Movement: Listening from the 'botton up'

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Second Movement: The intertwining and alternation of solo and orchestra; the irregularity of metrical groupings

Jeremy Siepmann
35

Brandenburg Concerto No. 4 in G - Second Movement: The next orchestral phrase; slowing the pace but not the tempo

Jeremy Siepmann
36

Brandenburg Concerto No. 4 in G - Second Movement: The First Section (complete)

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Second Movement: The next section; foreground symmetry and background variety

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Second Movement: Cue to Second Movement as a whole

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Second Movement: Second Movement (complete)

Jeremy Siepmann
40

Brandenburg Concerto No. 4 in G - Third Movement: Introduction to the Third Movement...

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Fugue subject

Jeremy Siepmann
42

Brandenburg Concerto No. 4 in G - Third Movement: First counter-subject

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Second counter-subject

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Bass entry of the subject

Jeremy Siepmann
45

Brandenburg Concerto No. 4 in G - Third Movement: Exposition (complete)

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: First Episode; the use of fragmentary derivatives

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: The difference a detail can make!

Jeremy Siepmann
48

Brandenburg Concerto No. 4 in G - Third Movement: Harmonic Rhythm defined; back to the beginning to find the seed...

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: ...And now the blossom

Jeremy Siepmann
50

Brandenburg Concerto No. 4 in G - Third Movement: The First Solo Episode; a confusion of terms; onwards, to the introduction of the solo episode

Jeremy Siepmann
51

Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 2 complete

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Solo Episode 2 dominated by thrilling virtuosity from the solo violin

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3: Highly contrapuntal and dominated by subject-derivatives, with much harmonic fluidity

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3 continues: Engine of harmonic motion repeated at higher pitch

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: More on Ritornello 3: The use of long, sustained, slightly syncopated notes in upper strings

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Ritornello 3 (complete)

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Solo Episode 3 - Less solo Than earlier ones, what with (albeit very discreet)

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: The two recorders converse in canon, accompanied for six exhilarating bars by cello 'continuo'

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Finishing Solo Exposition 3: Orchestral cellos introduce what sounds

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Approaching the final Ritornello; stretto explained

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Cue to Finale Ritornello, noting tension-building 'pedal point' in cellos and double bass

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Coda - The 'tail-piece', with its surprising 'hammer strokes'

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Cue to Third Movement

Jeremy Siepmann
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Brandenburg Concerto No. 4 in G - Third Movement: Third Movement (complete)

Jeremy Siepmann
CD2
01

Brandenburg Concerto No. 5 in D - First Movement: Opening Music; analysis and phony analysis; Shaw quote; music: Motif No. 1

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Music, energy and relationship

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: The outlines of a melody emerge

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: The opening bar again

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Motif No. 2: Ta / Dee-ya, dee-ya, dee-ya

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Motif No. 3, And an important feature of its rhythm

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Beethoven Fifth Symphony (opening)

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Motif No. 4

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Motif No. 5

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Motif No. 6

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Episode 1: A 'Love Duet'

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Episode 1 continued; violin and flute reverse direction of their theme

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: 'False' Ritornello; soloists interrupt; rising 'sighing' motif; harpsichord continues downwards

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Four things going on at once, in violin, flute, harpsichord right hand, harpsichord left hand

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: The orchestra returns, picking up at exactly the spot where It was interrupted

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: The harpsichord intervenes with derivative of Motif 4; key shifts from A Major to B Minor

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: The orchestra returns to foreground and brings This section to an end

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Harpsichord emerges as virtuoso; a series of expectations Are frustrated

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: A backwards look; blurred distinctions between soloists and orchestra; 'Mozartian' development

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Out of the Twilight Zone; a sequence of surprises

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: The epoch-making harpsichord cadenza and the final Ritornello

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: Cue to First Movement

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - First Movement: First Movement (complete)

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Introduction; the opening Ritornello

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: The first bar; the first main building block

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: The flute motif

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Opening of the first solo episode

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: An important motif; the second main building block

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: The second main theme

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 2; violin and flute as 'orchestra'

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Episode 2; inversion of original motifs

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: More on Episode 2

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Episode 1 and Episode 2 compared

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Episode 2; key shifts from D Major to F-Sharp Minor

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 3: An exact transposition of Ritornello 1

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Episode 3 contrasted with Episode 1

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Episode 3 described in detail

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Ritornello 4; second main theme's first appearance in a Ritornello

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Episode 4: Dominated by inversions

Jeremy Siepmann
40

Brandenburg Concerto No. 5 in D - Second Movement: Cue to Second Movement

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Second Movement: Second Movement (complete)

Jeremy Siepmann
42

Brandenburg Concerto No. 5 in D - Third Movement: Introduction. Ritornello 1

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: The Fugue Subject: Close juxtaposition of contrasting elements

Jeremy Siepmann
44

Brandenburg Concerto No. 5 in D - Third Movement: Flute takes the 'answer', with countersubject in the violin

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: Contrary motion as a contrapuntal device

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: Contrary motion as a listening aid; a new theme

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: Playing with the counter-subject; a musical game of tag

Jeremy Siepmann
48

Brandenburg Concerto No. 5 in D - Third Movement: Hidden rhythms: Background variety behind foreground uniformity

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: Fugal writing and the compatibility of parts; the Exposition

Jeremy Siepmann
50

Brandenburg Concerto No. 5 in D - Third Movement: Episode 1, taken by soloists, contains important 'seeds'

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: The orchestra enters at last, but by stealth

Jeremy Siepmann
52

Brandenburg Concerto No. 5 in D - Third Movement: Stretto and musical football

Jeremy Siepmann
53

Brandenburg Concerto No. 5 in D - Third Movement: Key changes to B Minor, introducing extensive Middle Section

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: The Middle Section a precursor of the Mozartian 'development'

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: The Fugue Subject out in force: First four immediately consecutive entries yet

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: Ambiguity of mode and a Scottish twist

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: Middle Section sontinued; harpsichord dominates

Jeremy Siepmann
58

Brandenburg Concerto No. 5 in D - Third Movement: Cue to Last Movement

Jeremy Siepmann
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Brandenburg Concerto No. 5 in D - Third Movement: Last Movement (complete)

Jeremy Siepmann

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